Few people have been able to capture the unique nature of Czech life under late socialism quite like the photographer Iren Stehli. Whilst her arguably best-known and most personal long-term series, Libuna (1974–2009), documents the life of a Romani woman and her family in Prague’s Žižkov district, at the opposite end of the spectrum lies Prague Shop Windows (from 1978 to the present day), an extensive analysis of the fluid nature of public space. Between these two poles, however, lie many other themes and spaces captured in further series, some of which remain virtually unknown to this day. Iren Stehli grew up in Zurich, Switzerland, in a bilingual environment (her mother was Czech) and returned to Prague repeatedly from the 1960s onwards; after a brief spell studying Czech language and literature in the early 1970s, she began attending the Department of Photography at FAMU, which at the time represented an oasis of relative freedom. date and time Tue—Sun 12:00—18:00