Baroque Soirées — Upon a Ground

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Strahov Monastery

Folkloric melodies, lively dance rhythms, and spontaneous improvisations come to life in the music of the British Isles from the seventeenth and eighteenth centuries. Led by flutist Jana Semerádová, Collegium Marianum presents a captivating evening inspired by the works of Nicola Matteis, Thomas Billington, Niel Gow, and Turlough O’Carolan, interwoven with traditional songs. Baroque elegance blends seamlessly with the raw energy of folk music and a spirit of playful musical imagination.

programme

England
Nicola Matteis (1650—1714)
Aria amorosa
Ground After the Scotch Humour

Wells
Ar Hyd Y Nos
Y Gwŷdd

Ireland
Turlough O᾿Carolan (1670—1738)
Carolans Cup
Sheebeg and Sheemore
All alive
Sackows Jig
Fionnuala᾿s Song
Lament for Terence MacDonough
Carolans Quarrel with the Landlady
Drowsy Maggie
Princess Royal

Scotland
Braes of Ballandine
Killicrankie
Johnny Cope
Etricks Hoi
Som jeg kom hist

Niel Gow (1727—1807)
Lament for the Death of his Second Wife

James Oswald (1710—1769)
Variace na skotskou píseň „Roslin Castle“

performers

Collegium Marianum
Jana Semerádová artistic director, flauto traverso
Vojtěch Semerád voice, Baroque violin
Jiří Sycha Baroque violin, guitalele
Marcel Comendant cimbal
Ján Prievozník violone

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