For twelve years, the photography department of the Moravian Gallery in Brno, headed by Jiří Pátek, has been processing the extensive estate of the important Czech photographer Dagmar Hochová (1926–2012). In 2024, part of this estate was presented at the Moravian Gallery. The retrospective exhibition and the monograph that evaluated this material aimed to update the established image of the artist as a photographer of children—a legacy of the 1980s—and to present Hochová in the light of many other thematic areas that often relate to our national history.

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