The Musica non grata project revives the legacy of composers who played a vital role in the musical life of interwar Czechoslovakia and who were persecuted by the Nazis due to their ethnicity, gender, religion or political opinions. Initiated by the National Theatre Opera and the State Opera and presented with financial support from the Federal Republic of Germany in collaboration with the Embassy of the Federal Republic of Germany in Prague, this four-year project focuses especially on the work of Czech composers and composers active within the German-speaking community, who played a major part in the development of musical life of the capital of the First Czechoslovak Republic, especially from 1918 to 1938. Many of those composers had direct ties to the New German Theatre (today’s State Opera) and the National Theatre in Prague. They include especially the so-called “Terezín composers” – Pavel Haas, Hans Krása, Gideon Klein and Viktor Ullmann – but also Alexander Zemlinsky, Franz Schreker, Erwin Schulhoff, Paul Hindemith, Ernst Krenek, Jaromír Weinberger, Paul Abraham, Kurt Weill or Arnold Schoenberg. Musica non grata also focuses on the works of extraordinary female composers of the First Republic including Julie Reisserová, Vítězslava Kaprálová, Ilse Weber, Sláva Vorlová or Elizabeth Maconchy. Musica non grata – Ball at the Savoy Musica non grata – Clothes Make the Man