František Pavlů (1932–2008), a sculptor, medallist and creator of crumplages, was a key member of the Concrete Artists’ Club. After studying in Prague, he settled in Liberec in 1968, where he developed a body of work defined by minimalist, Neo-constructivist forms and an architectural approach to sculpture, exemplified by his public piece *Wings* (1969). Alongside sculpture, he created works on paper—especially experimental crumplages—from the 1960s onward. A new Museum Kampa exhibition and monograph offer a comprehensive overview of his work, from sculpture and medals to drawings and structural painting, contributing to a fuller understanding of artists associated with the Concrete Artists’ Club. Datum und Uhrzeit Mon—Sun 10:00—18:00 Zusammenhängende Dear Adriena... Adriena Šimotová & Meda Mládková “Fragile” and “intimate” are the adjectives most frequently used to describe the work of Adriena Šimotová (1926–2014). However, we should immediately point out that the artist herself was, above all, courageous and indomitable. An artist who drew with a knife on paper could not hesitate or doubt. A woman, who at the age of forty-five became a widow and was alone with a son who was barely twelve, had to be strong. Šimotová met Mládek (1919–2022), a Czech-American collector and later founder of Museum Kampa, at the end of the 1960s. When Mládek organised her very first exhibition in Washington, D.C., in the autumn of 1968, which was dedicated to graphics by contemporary Czechoslovak artists, she chose one of Šimotová’s drypoint engravings for the invitation. The two women later became close friends and remained in touch despite the limitations of old age and worsening health.